The Homes Project emerged from a 3-month expedition through the vast and expansive coastal landscapes of Chile. Two British artists utilised found materials to make 6 homes in which they lived throughout their journey.
In Wellington, New Zealand in 1978, one hundred and eighty cabbage seedlings in the shape of the word CABBAGE were planted on a long-disused site without permission, challenging a lack of community consultation in decisions relating to the city landscape. Due to public engagement it became known as ‘soapbox art corner’.
An environmental sculpture set in “the Lot” in the center of New Haven, Connecticut in 2000. Minimalist in its construction and made entirely of natural materials, the sculpture transformed the rough urban setting by raising one’s awareness of the existing environment and posing an alternative future for the space.
An eco-tourist project exploring local history and community-building in York, Alabama. marksearch crafted town slogans based on residents' stories about the history of the region and their hopes for future. These slogans were displayed on billboards attached to their tandem bike, with which they rode over 200 miles regionally to promote York as an ecotourism gateway.
Producing experimental culinary designs—including recipes which incorporate bats, geese, snails, bio-char and water buffalo milk—the New York-based Cross(x)Species Adventure Club is driven to find solutions for improving our natural systems.
xClinic Farmacy is a distributed urban farming project that seeks to enhance environmental health and re-imagine food systems. During the summer of 2011 a clinical trial of Farmacy was installed at Postmasters Gallery, New York.
Waste Landscape—comprising of 60,000 unsold and collected CDs which have been hand-sewn together—is a monumental artificial landscape that resembles the ever-increasing mountains of urban landfill at waste management centres.
Energy Cafe was a community-based, portable, off-grid kitchen, which explored alternative energy, urban agriculture, and shared public space. Pilot Publishing (Amy Plant and Ella Gibbs) held workshops, talks and open days where visitors could actively participate in creating the work.
Initially appearing like a normal playground swing-set, Swing, by Moradavaga, is a playful and interactive installation comprising a set of four swings from which participants, by swinging, can create enough energy to power a series of lights built into the platform below the seats.
This project involved planting a cornfield on a 32-acre piece of land in the centre of Los Angeles that was stewarded for a full agricultural cycle. It sought to redeem a plot of once-fertile land depleted by industrialisation.
Slow Art Collective worked together with Hiroshi Fuji to create Kaeru, a collaborative community project about waste, renewal and transformation. During workshops, visitors were invited to create small objects out of recycled items, which were later brought together to build a garden installation.
A collection of Danish and international artists explore methods of re-invigorating the city landscape with urban agriculture and gardening. Central to the public art project’s themes is the re-imagining and infiltration of urban space.
An abandoned site in Southwark was transformed into a temporary lido, equipped with a public outdoor paddling pool, sauna, sun deck, beach huts and bar. EXYZT wanted to foster conversations about how communities can develop through collective memory and shared experiences.
A disused railway line and waste ground in the East London suburb of Dalston was transformed into a temporary 16 metre high fully functioning flour mill with a community kitchen and bread oven that was open to the public.
Produced in collaboration with Helsinki Energy, the public art installation Nuage Vert (meaning ‘Green Cloud’) projected green light onto the vapour cloud emitted from that city’s Salmisaari power plant to visualise the plant’s energy output.
Located at Underwood Street, a laneway near Circular Quay, Seven Metre Bar aimed to convert this usually abandoned site into a bustling social hub while also raising awareness with regard to climate change and rising sea levels.
Situated near the Westfield shopping centre in Penrith (Western Sydney), Activate 2750 aimed to address unsustainable modes of consumption and raise awareness with regard to waste management through a confronting and monumental installation of local waste.
We Make This City was a temporary public art project in the inner-city location of Taylor Square, Sydney, which aimed to encourage agency, change behaviour, and galvanise social and political action in response to Climate Change.
The Black Cloudis an open-air, pavilion-like structure made from panels of charred timber, which acts as a hybrid public sculpture, temporary shelter and venue for social events. This ominous post-apocalyptic construction is a reminder of the impending effects of Climate Change.
Pod #002, Parasite Heating Unitis a modular dwelling that can be transported and installed in different locations. Representing the relationship between parasite and host, the unit is attached to an existing building, utilising its light intake to heat the dwelling.
Part of the 2008 Biennial Internationale Design (Cité du Design), City Eco Lab, Saint-Étienne presented 46 projects from the region to visitors in the form of a marketplace. These projects included productive urban gardens, low energy food storage, communal composting solutions, de-motorised courier services and software tools to help people share resources.
Elevated above the urban streets of New York City, the High Line is a public park built on an abandoned freight railway line on Manhattan’s West Side. Featuring a constantly changing public art program, High Line Art, the High Line has become a prime example of urban renewal.