Green My Favela is an environmental remediation project primarily located in the favelas (informal settlements or slum communities) of Rio de Janeiro, Brazil. GMF was formed to reclaim degraded land and to create more productive green spaces with favela residents.
Louise Fowler-Smith, Director of the Imaging the Land International Research Initiative (ILIRI) proposed the idea of retaining rainwater in the walls of a structure for the purpose of recycling and utilizing the water’s thermal mass after witnessing precious water disappear on the occasion of infrequent yet heavy rain at the arid zone research station at Fowlers Gap.
A stormwater-mitigation project undertaken at Trinity Episcopal School in Charlotte, North Carolina, USA. It consists of a series of ponds which remediate polluted stormwater run-off and serve as an outdoor laboratory and classroom for the students.
This work consisted of a series of events and projects that resulted from a collaboration between local residents, artists, students, scientists and experts in urban planning. Participants sought to raise awareness about the state of their natural environment using artistic practices.
The Nine Mile Run Greenway Project was an artist-led, applied research initiative that engaged the expertise and concerns of citizens, environmentalists, politicians, historians, urban planners, scientists and engineers in a multi-year effort aimed at the transformation of an industrial waste site to a sustainable public green space.
The Central Park Public Art Strategy, developed by Turpin + Crawford, was forged through a partnership between Frasers Property and the City of Sydney, and represents a productive collaboration between the private and public sectors.
Producing experimental culinary designs—including recipes which incorporate bats, geese, snails, bio-char and water buffalo milk—the New York-based Cross(x)Species Adventure Club is driven to find solutions for improving our natural systems.
The first public art festival in India, 48˚C Public. Art. Ecology interrogated the diverse ecology of Delhi. The local and international artists featured in the exhibition responded directly to environmental concerns present in the city.
A large park dedicated to public art attached to the Indianapolis Museum of Art. Ecological concerns are central to the curatorial and general management of the Park, in which 10 semi-permanent site-responsive works have been installed since the opening in June 2010.
Greenmeme’s Hyperion-Son of Uranus, which is fashioned from recycled street signs collected from the California Department of Transportation (Caltrans), visualises the sewerage infrastructure of Los Angeles County, creating a unique topography of the City’s wastewater data.
Located at Underwood Street, a laneway near Circular Quay, Seven Metre Bar aimed to convert this usually abandoned site into a bustling social hub while also raising awareness with regard to climate change and rising sea levels.
Reincarnated McMansion is an interdisciplinary project spanning the fields of contemporary art, architecture and town planning, concerned with strategies around sustainability. Initiated in 2008 by Sydney-based artist and architect Mathieu Gallois, it aims to tackle unsustainable building practices in the Australian suburbs.
Patrick Blanc’s vertical gardens at One Central Park in Sydney span 1000 square metres and sprawl across the building’s two towers, which are 16 and 33 stories high. At 150 metres high they are the tallest vertical gardens in the world.
We Make This City was a temporary public art project in the inner-city location of Taylor Square, Sydney, which aimed to encourage agency, change behaviour, and galvanise social and political action in response to Climate Change.
Concerned with the site’s history, In the Shadow by Janet Laurence is an environmental artwork that addresses the remediation of the Homebush Bay area from industrial contamination.